The Side Hustle Podcast with Fexingo: Part-Time Businesses, Passion Projects, and Extra Income · Episode 101 · July 8, 2026 · 9 min

How to Make 6000 Monthly as a Freelance Webflow Designer

Lucas and Luna dive into the world of Webflow design as a side hustle. They break down how one designer—let's call her Sarah—went from zero coding experience to earning $6,000 per month building custom Webflow sites for startups and small businesses. They cover the learning curve, the tools that matter, typical project scopes, and pricing strategies. Plus, they discuss why Webflow specifically has created a niche for designers who don't want to code but still need to deliver professional, responsive sites. Real numbers, real workflow, and a realistic path to a five-figure monthly side income. #WebflowDesign #FreelanceDesigner #SideHustle #NoCode #UXDesign #WebDevelopment #Fiverr #Upwork #ClientAcquisition #PricingStrategy #PortfolioBuilding #Business #Productivity #RemoteWork #HustleCulture #FexingoBusiness #BusinessPodcast #SideHustlePodcast Keep every episode free: buymeacoffee.com/fexingo

Transcript

Lucas: You know that feeling when you need a website but you don't want to mess with WordPress plugins and security updates every week? Luna: Oh, absolutely. And you don't want to pay a developer a fortune just to move a button three pixels. Lucas: Right. That gap between 'too expensive for a custom build' and 'too janky for a drag and drop builder' is exactly where Webflow sits. And it's become a genuine side-hustle machine for people who learn it. Luna: We're talking about a freelance Webflow designer pulling in six grand a month, right? Let's get into the numbers. Lucas: Yeah. So the case we're looking at today — I'll call her Sarah — she started about eighteen months ago with zero web development background. She was a graphic designer at a small agency, bored with print work, and she took a Webflow course over a long weekend. Luna: A long weekend? That's it? Lucas: Well, the basics. Webflow has a pretty gentle learning curve if you already have design sense. You understand grids, typography, color. The tool just gives you visual control over the HTML and CSS underneath. So Sarah built her first client site in about two weeks — a landing page for a local coffee roaster. Charged $1,500. Luna: And from there she scaled to six thousand a month? How many clients is that? Lucas: Three to four projects per month, depending on complexity. Some are full five-page marketing sites for startups — those run $2,500 to $4,000. Others are smaller, like a one-page portfolio or a simple membership site. She also does ongoing retainer work for CMS updates and SEO tweaks, which adds about $1,000 a month on its own. Luna: So the retainer piece is key. That's the recurring revenue that stabilizes the income. Lucas: Exactly. One of her clients is a boutique fitness studio that needs class schedules updated weekly. She handles that in about an hour and bills $300 a month. It's not huge, but it's predictable. And it means she doesn't have to chase new projects every single week. Luna: Where does she find these clients? Is it mostly Upwork, referrals? Lucas: Mix of both. Her first few came from cold outreach on LinkedIn — she targeted local businesses with outdated websites. She'd send a short message: 'Hey, I noticed your site isn't mobile-friendly. I can rebuild it in a week for $1,500. Want to chat?' That got about a ten percent response rate. Luna: Ten percent is pretty good for cold outreach. Did she have a portfolio to show? Lucas: Not at first. She built a fake project — a mock brand for a fictional bakery — and used that as her demo. It was good enough to prove she understood layout and responsiveness. Once she had that first real client, she used their site as her main case study. Luna: Smart. So what's the actual workflow like? How long does a typical project take? Lucas: Sarah says her average is about forty hours per project, spread over two weeks. That includes a kickoff call, wireframing in Figma, building in Webflow, client revisions, and launch. She's gotten efficient with reusable components — things like navigation bars, footer layouts, contact forms. She's built a library of about fifteen standard components she can drop in and customize. Luna: That's the key to scaling. If you're rebuilding the same button from scratch every time, you'll never get past two clients. Lucas: Right. And Webflow's CMS is a big part of the value prop. Clients love being able to edit their own blog posts or team pages without touching code. Sarah sets up the CMS structure — collections, fields, templates — and then hands the client a simple editor. That alone justifies a higher price. Luna: Let's talk pricing strategy. Six thousand a month — what's she charging per hour effectively? Lucas: She doesn't bill hourly. She charges per project. But if you back into it, around $75 an hour. That's competitive for a skilled Webflow designer. Fiverr has people charging $30, but they're usually not doing custom CMS work or responsive design. Sarah's clients pay for reliability and speed. Luna: So the lesson is: don't compete on price. Compete on the package — design plus CMS plus ongoing support. Lucas: Exactly. And she's very clear about scope. Her proposal includes exactly what she'll deliver: wireframes, a homepage, up to four inner pages, mobile optimization, and a one-hour training session. Anything beyond that is a change order. That keeps the project from creeping. Luna: What about tools? Besides Webflow and Figma, what's in her stack? Lucas: She uses Notion for project management, Google Drive for assets, and Loom for recording walkthroughs for clients. She also uses Webflow's built-in hosting and SEO tools — that's a selling point because clients don't have to deal with separate hosting accounts. Luna: Are there any downsides? I've heard Webflow can get expensive for clients if they need a lot of page views or complex CMS collections. Lucas: That's true. Webflow's pricing tiers are based on site plans. A basic CMS site is about $29 a month, but a business plan with more CMS items is $39. For most small businesses, that's fine. But if a client is scaling fast, the cost can jump. Sarah is upfront about that — she shows them the pricing table and recommends a plan based on their traffic. Luna: So transparency builds trust. What's the biggest mistake she sees new Webflow freelancers make? Lucas: Underpricing. They think they need to start at $500 a site to get clients. But that devalues the work and attracts the worst clients — the ones who are hyper demanding and never happy. Sarah started at $1,500 and raised to $2,500 after three projects. She says the clients who balked at $1,500 wouldn't have been good clients anyway. Luna: That's a hard lesson for beginners. How did she know when to raise prices? Lucas: She tracked her hours. When she realized she was getting faster but charging the same, she increased rates. Her second client paid $1,500, took thirty hours. A few months later, a similar project took twenty hours, but she still charged $1,500. That's when she bumped to $2,000. Luna: It's a simple metric: if your effective hourly rate is climbing, you're ready to raise project fees. Lucas: Yeah. And she also noticed that clients who paid $2,500 were actually easier to work with — they respected her time more and had clearer expectations. Luna: That's a phenomenon in freelancing. Higher prices filter out tire-kickers. Lucas: Totally. So for anyone listening who's thinking about Webflow as a side hustle, the path is pretty clear: learn the tool, build a demo site, target a specific niche — local businesses, startups, consultants — and charge based on value, not hours. Sarah went from zero to $6,000 a month in about a year and a half. Luna: And she didn't need to be a developer. She just needed to be a designer who learned one platform well. Lucas: Exactly. Which is a nice reminder that you don't have to learn everything. Pick one tool, get really good, and solve a specific problem. The side hustle economy rewards depth, not breadth. Luna: Speaking of depth — if these conversations have moved your work forward in some small way, a couple of dollars a month is genuinely what keeps these going. Buy me a coffee dot com slash fexingo, if you've gotten something out of them. Lucas: Yeah, it really does make a difference. And we keep the show ad-free because of that support. Luna: So back to Sarah — she's now considering offering a Webflow audit service, where she reviews existing sites and gives a report. That could be another $500 per audit. So the income could keep growing. Lucas: That's a great add-on. Low effort, high perceived value. And it feeds into her main service. It's a good model for anyone looking to expand beyond just building sites. Luna: Absolutely. Webflow's ecosystem is still growing, and early movers are locking in retainer clients. It's a smart bet. Lucas: Alright, that's the story of Sarah and her Webflow side hustle. Next time we'll look at another niche — maybe something with video or content. Until then, keep building.